When we first selected the fabrics for the Bold Fears ailment, we had included these four fabrics. After all, they shared similar hues–the oranges or pinks and greens. As Weeks Ringle and I selected fabrics, we found that some of the original choices stood out. Here’s why we chose to remove them from the assortment.
- Daisy print, top left: While this print contained the pink and orange found in some of the others, the ground was white and the print was sparse, so the print didn’t work with the others that contained little to no white. Also, due to the amount of white, the print read as high contrast, since there were navy blue accents in the fabric, so this higher contrast print was contrary to the lower contrast prints in the assortment. (For more on using fabrics with a white base, see the White Plight ailment on page 26 of the June 2015 issue.)
- Black floral, top right: Again, while this print had colors in common with the other prints, the black ground and white accents makes this print higher contrast. Also, it is a highly saturated print, unlike any of the other prints. When viewed with the others, it stands out and becomes a focus, so it was removed.
- Soft floral, bottom right: This soft floral is much less saturated than the other prints in the assortment. In addition, it features primarily lavender and yellow hues rather than the oranges and pinks that are more visible in the others.
- Aqua and white stripe, bottom left: While the hues were on target with many others in the stash starting point, the bold white stripes, the heavily saturated print, and the high contrast of the fabric make this a less pleasing option for this palette.
It was love at first sight when I had my first peek at Lissa Alexander’s Rainbow Rows. Four-Patch blocks? Yes! Sign me up. The first step was narrowing down the color palette. I pulled out my huge stash of polka dot 2-1/2″-wide strips. The brights spoke to me…especially the red, orange, pink, and occasional purple dotted fabrics. I’ll combine these cheerful dots of all sizes with white-on-whites.
I like to sew together oversized pieces and trim them down to make uniform units. That’s the beauty of using the (already cut) 2-1/2″ strips. I sewed each dot strip together with a white-on-white strip, and cut the resulting strips into segments. I joined segments in a very random fashion to make oversized Four-Patch units. Yes, this method means a lot of trimming to size. But, the big payoff is that any irregularities in seams won’t show. Every single Four-Patch unit will be exactly the right size.
There’s another bonus of using 2-1/2″-wide strips. When I crosscut the strips, they are perfect 2-1/2″ squares, just the size needed for the alternating squares in each block.
On the design wall you get an idea of how the blocks will look. Next step, I’ll start sewing the blocks. Any guesses on the finished size of this project?
Something else I love about this project is that the units are simple enough that I can sew a few strips together in between other tasks. Sewing strips together is a great way to make use of “leader strips.” If the machine balks when I’m sewing the strips, I can just trim that part off, using the remainder to make segments for Four-Patch units.
–Jill Abeloe Mead, editor American Patchwork & Quilting
Every month, we highlight a trend in quilting and show you how you can add this hip style to your projects!
This month, we’re loving nautical style! Sure, it may just be because we’re ready for warmer temps after this winter, but nautical really has involved to be totally livable in any home (even if you don’t have a beach house!). From sea creatures to nautical knot motifs to classic blue and red, you’re sure to find a nautical product that suits you!
Find nautical products now (in order going clockwise):
- Hidden Cove by Sue Schlaback for Windham Fabrics
- Sand Surf Sun from Timeless Treasures
- Daysail by Bonnie and Camille for Moda Fabrics
- Seersucker Embroideries by Robert Kaufman Fabrics
- Summer Celebration from Riley Blake Designs
- Ahoy by Makower UK for Andover Fabrics
Once a month, we highlight blogs our staff is reading right now!
Poppyprint from designer Krista Hennebury
Krista’s blog is a beautiful collection of photos, creative musings, and great lessons in learning and growing in your quilting life.
Stitchery Dickory Dock from designer Amy Gibson
Amy’s blog is full of bright and happy quilting eye candy. From fun blog hops to amazing tutorials, her blog is always fresh with inspiration.
Gnome Angel from designer Angie Wilson
Angie’s blog is perfect for any quilter who wants to be “in the know”! Her recent articles touch on quiltalongs, quilters on Instagram, and quilting podcasts (we made the list!). And her projects and tutorials are so fun!
The APQ Quiltalong can be stressful… not exactly the quiltalong itself, but choosing which quilt!! First, how do you choose with three fabulous options?! But for the sake of my sanity, I decided to pick one (and not all three) and make some progress on that one in the two months of the official Quiltalong blog hop (though you can join the #APQQuiltalong anytime). I chose April Rosenthal’s Buried Treasure quilt, which I love for its colorful and high-contrast design.
One gray and bone-chilling day, my cousin Kathy and I stopped by a local quilt shop and I found this taupe-color print (official name Nickel Straw Flower from One for You, One for Me by Pat Sloan for Moda Fabrics). I loved the taupe dotted background and the graceful petals of the flowers, but I was entranced by the shades of red, orange, and yellow in the centers! They instantly made me think of summer, sunshine, and the warmer days ahead (WAY ahead)! Within the span of 15 minutes, I’d gathered 16 yellow, orange, and red fat quarters—batiks and prints—and was ready to get started. Even as I picked the colors and fabrics out, I was thinking, “This quilt is going to match nothing in my house, but I. Just. Don’t. Care!”
When it was time to start cutting and piecing, I read over the instructions (which I’d edited once before) and, me being me, I decided I would put it together a little differently. I prefer working with strip sets whenever possible, so I cut 2-1/2″ strips across the fat quarters, cut the strips in half so they were 10-1/2″ long, tossed them in a container, and sewed the strips together in pairs randomly. My only rule was that the strips couldn’t be the same, otherwise, I used what I grabbed.
I cut each strip set into pairs, then again, tossed the pairs in a container, and sewed together the pairs mostly randomly but making sure all four fabrics were different. You can see all of my little pairs pinned together, ready to sew! (Doesn’t that look organized? Don’t be deceived by those little piles; I’m more type B than A!) Once all the sets were sewn, I had one long string of pieced units—like a big pile of fabric spaghetti!
I did cut individual squares for the Floating Star unit and here you can see them stacked by color, marked and ready to sew! (OK, maybe a little type A.) I was less random in my selection of these squares, as I didn’t have a lot of extra squares cut, so I didn’t want to get to the point of being down to the last block and having two squares left of the same color! And I didn’t, but for those last few squares, I had to do a little shuffling.
I was so excited when I finished the two stacks of units—they looked so cheery in their container that I had to snap a pic! I spent part of a weekend on this quilt and got all of the block units together, as it goes together quickly (and would be equally quick if you were working with squares instead of strips).
Now I’m playing with the arrangement. You can see I arranged one quarter of the quilt on the design wall. I love April’s original arrangement for Buried Treasure, but I want to play a little more with the blocks before I sew them together.
So I want to say a big THANK YOU to April Rosenthal of Prairie Grass Patterns for designing such a great quilt (and for loving the color orange—talk about serendipity!). Lest you think I’m not equally enamored with the other two Go Four It! quilts, Lissa Alexander’s Rainbow Rows quilt is on my list as a future project (maybe in the fall and winter when I need something to combat the winter grays). I’m a little intimidated by Edyta Sitar’s super-small, super scrappy Scraptacular quilt, but maybe that can be a 2016 challenge project for me! Meanwhile, I love seeing everyone’s versions and adaptations of all three quilts in the #APQQuiltalong. And it’s not to late to join the fun! Pick your favorite and start cutting!