Once a month, we highlight our favorite free quilt and sewing patterns around the web! Here’s a round-up of the cutest Valentine’s Day projects. They’re great as gifts and decor (and are so quick to make!).
Lovely Mug Rug by How To Sew
A few appliqué hearts are all you need for this super-quick addition to your Valentine’s Day table! Use it to hold a cup of coffee or a mimosa. Or display it all year round with a candle on top!
Making a Candy Heart by Pfaff
These large candy heart pillows are perfect for spreading love! Don’t have an embroidery machine? No problem! The instructions include easy alternatives!
Simple Heart Quilt by Cluck Cluck Sew
This quilt is so sweet! It would look perfect in a baby’s room or as wall decor for the season! Or make one heart block to give as a gift!
Say “I Love You!” with a quilt made of X and O blocks! The big heart in the corner is so cute!
Simple V-Day Sachet by Crafty Pod
Fill a sachet with lavender for a romantic (and relaxing) gift for family and friends! The hearts on top are perfect for using up your felt scraps!
I’m so excited to participate in this year’s APQ Quiltalong! Last year’s quiltalong was so fun. After seeing so many inspiring pictures on Instagram of what people were making, I started the Tone It Down quilt. I dragged my feet picking out fabrics and had so many other projects started, that it got pushed aside. Hey, it’s a big quilt (and I promise I’m getting close to being finished!). So when this Quiltalong came, I knew I wanted to choose a smaller project so I could finish it faster! Luckily, with this Quiltalong, there’s so much freedom! Not only can you choose from three beautiful quilt patterns in our April issue, but we also have free patterns for three smaller options online! (Get the patterns here.) Plus, we were encouraged to explore the Four-Patch and really make these quilts our own.
I pulled inspiration from Buried Treasure, the happy April Rosenthal quilt on page 44 of the April issue (shown above). She combines Four-Patch blocks with Floating Star units for a simple, but lovely design. But instead of the X pattern she gets with her block placement, I choose to just do 1/4 of the quilt, so my blocks were all facing the same direction. I ended up with a table topper that was 20-1/2×28-1/2″, which was perfect to display on my dresser.
I wanted a planned scrappy project, so I pulled from my stash. My bedroom has a beachy feel, so I wanted to pull sandy creams and water blues from my stash. The creams are from the Linen Closet collection by Renee Nanneman for Andover Fabrics. It’s an older collection that I’ve been hoarding, and I love the little flower and bee details. The blues were a mix of fabrics from Moda and Connecting Threads. I started by cutting my squares. I organized my squares by light and medium prints (the medium prints were the three in the bottom left corner). I randomly chose the squares for the Four-Patches, but made sure to include at least one of the medium prints in each block for some variation in my blocks and to give little pops of contrast across the quilt.
I finished the quilt off with coral binding from the Hearty Good Wishes collection by Janet Clare for Moda (a personal favorite fabric collection). I had leftover binding from a previous quilt I did with her collection–it fit so perfectly with this quilt, that I used up the binding on this table topper. I love the finished look!
Are you joining in our our Quilt Along? Share pictures of your progress with us on Instagram, Facebook, and Twitter with the hashtag #apqquiltalong!
Lindsay, web editor
Four Centuries of Quilts: The Colonial Williamsburg
Revel in 400 years of quilt history through the pages of Four Centuries of Quilts: The Colonial Williamsburg by Linda Baumgarten and Kimberly Smith Ivey. Colonial Williamsburg’s collection includes roughly 250 quilts from around the world. The 360+ page hardcover book follows progression of quilting styles, trends, and the impact of quilts around the world. The chapters are split into locations throughout the world (Indian, European Calico, and Polynesian), technique (Early Appliquéd, Pieced 1840-1910, and Make), and specific blocks (Mariner’s Compass, Star, and Baltimore Album). The book’s historical references are supplemented with spectacular full-page photos as well as close-up detail photography.
Unconventional & Unexpected: American Quilts Below the Radar 1950-2000
In Unconventional & Unexpected: American Quilts Below the Radar 1950-2000 author Roderick Kiracofe shares nearly 150 quilts from his personal collection that break from the general rules of traditional quiltmaking. The collection showcases utilitarian quilts made by everyday quiltmakers—often without the structure of a pattern. Contextual essays contributed by textile experts, including quilt designers, a museum curator, and a quilt historian, accompany photos of Kiracofe’s collection.
Handfuls of Scraps: Pieced into Amazing Quilts
Edyta Sitar of Laundry Basket Quilts is known for her amazingly scrappy quilts that combine a wonderful mix of fabrics, including many fabrics that don’t seem like they would work together, including reproduction prints and batiks. Now, in Handfuls of Scraps: Pieced into Amazing Quilts, we get to see some of what inspires Edyta’s scrappy quilts. Three dozen antique quilts, most from Edyta’s collection, are eye candy for anyone who enjoys quilts with hundreds of fabrics and tons of tiny shapes. If you’re ready to try one of these quilts yourself, the second chapter includes patterns for 15 scrappy quilt patterns inspired by the antiques.
In her new fabric collection, designer Jennifer Sampou takes a classic color combination and makes it new again. In the beautiful Black & White collection by Jennifer for Robert Kaufman (see the fabrics here), Jennifer explores a timeless palette and expands it with trending motifs, such as feathers and ombre. By pairing the black-and-white prints with rich grays and taupes, she gives us the freedom to make this color work for both modern and traditional designs.
We’re so happy we had the chance to work with this fabric for the Black & White Blog Hop. As you can see in the picture below, Jennifer’s fabric mixes both large-scale prints, small-scale prints, tone-on-tones, and pretty ombre prints. With such a variety of fabrics to work with, we wanted to choose a quilt pattern that featured them all!
We decided on the Quilts and More Winter 2014 cover quilt, On the Plus Side by Pat Bravo. The original quilt, shown below, used solid backgrounds and scrappy squares in both light and dark to make fun plus signs. (Buy the original pattern here.) We thought this quilt would be perfect for showing off all the prints in this fabric collection, as well as allow us to play with the three color ways easily.
We first sorted our fabrics in order from darkest to lightest, then pulled the polka dot prints to use as the background of the plus signs. The darkest fabrics were featured in the top and bottom of the plus signs. The grays were featured on the left and right sides, and the lightest taupes were showcased in the middle. Although the color placement of all the squares was the same, different parts of the ombre or the larger prints were featured for a scrappier look!
The result was a beautiful classic with a modern twist. The fabric provides amazing depth and interest! We loved working with this fabric line and have loved seeing all the different ways people have used it on this blog hop. Check out all the blogs below and see details on how to win your own fat quarter bundle of this collection!
BLOG HOP SCHEDULE:
January 25: Teresa Coates- Fabric Depot
January 26: Amy Gibson- Stitchery Dickory Dock
January 27: AnneMarie Chany- Gen X Quilters
January 28: Casey York- The Studiolo
January 29: C&T Publishing – Stash Books
January 30: APQ- All People Quilt
January 31: Angela Pingel
February 2: Sarah Sharp
February 3: Dritz- Make Something
February 4: Nicole Daksiewicz- Modern Handcraft
February 5: Liesel Gibson- Oliver + S
February 7: Jennifer Sampou Wrap-Up
February 9: Jennifer Sampou Announce Winner. Must have comment in by February 9th on my 1/23 opening blog post.
GRAND PRIZE: Sign up for Jennifer’s mailing list AND leave a comment on her page by February 8th about which projects inspire you and what you would make if you won fabric. See her blog and more details here. Drawing for a fat quarter bundle is February 9th.
INSTAGRAM GIVEAWAY: Taquito FQ rollup and Elephant and I Pattern giveaway on Jan 30 and Feb 6. Enter to win by re-posting any blog hop projects and hashtag #blackandwhitefabrics and #jennifersampou in your post.
In the April 2015 issue of American Patchwork & Quilting, designer Jean Wells teaches us how to expand our piecing horizons with a new technique — itty bitty piecing — and shows us how to play with color. The editors were so excited to learn this technique and create their own projects. See what they made below and share your own creations inspired by Piece & Play using the hashtag #apqlearnalong on Facebook and Instagam. And follow along with new projects and inspiration at www.allpeoplequilt.com/learnalong.
Elizabeth Tisinger Beese, editor of American Patchwork & Quilting
Elizabeth says: “I used more of the intense colors from my palette box in the February Piece & Play pillow I made, so this issue, I decided to go with some of the more subtle fabrics and include just a few pops of more intense color. I did the Itty Bitty Piecing in Log Cabin style for my pincushion and used greens, corals/oranges, pinks, and browns/tans for the four sides of the Log Cabin.”
Jill Abeloe Mead, editor
Jill says: “The Kaffe Fassett stripe used in the first round of the Log Cabin-style block inspired the palette for my pincushion. Four of the solids used in the block are shot cottons. (FYI: Shot cottons are fabrics woven of two slightly different colors. The subtle contrast in colors of warp and weft add light play and depth to the fabric.) To make these more loosely woven, lightweight fabrics easier to work with, I spray each with a light coat of sizing while pressing the yardage before cutting and sewing pieces.”
Lindsay Fullington, assistant multimedia editor
Lindsay says: “I fear little pieces, so this Log Cabin piecing project was a challenge. Instead of cutting pieces small, I pieced two or three fabrics together, then cut the fabric strip thinner or cut the ends off. This allowed me to get the look of small pieces without having to work with tiny fabric. I fussy-cut a beautiful flower for the center of the Log Cabin (fabrics from the Hadley collection from Dear Stella) and built out my colors from there, making sure to balance the prints and colors. Brown is my favorite color, so I love the unexpected look it gives against the bright colors.”