See Nancy’s first blog about her Round Robin experience here.
Would I do one of these again? Yes, but I would always want more time. I loved that these were small quilts too; it made it a little less intimidating. I did learn quite a bit seeing the techniques used by others. It was fun!
Round 1: Nancy
She says: I’ve gone through my stash and selected a scrappy palette of neutrals, grey, gold and teal. I want to do something improvisational with a folk art twist. I sketch out my flower block and get started. I made the flower petals from the scrappy strips randomly sewn together in two color palettes. The background for the flowers is a tone-on-tone cream.
She says: Nancy appliquéd amazing flowers onto her quilt center. I wanted to add interest to the center, but not distract from the multi-piece flower petals she bordered with narrow strips of assorted prints. After several false starts, I pulled only dark prints out of her round robin fabric box. I cut narrow strips (7/8” each finished) for the piano key border and small squares (1- 7/8” square finished) for the first pieced border. I like the way this dark border adds depth to the piece and quietly allows the spotlight to continue to shine on the quilt center.
Round 3: Jody
She says: I love the whimsical appeal of Nancy’s pieced flowers. I wanted them to be the center of attention. I drafted a 2” finished Square-in-a-Square foundation pieced block for the corners of the second border. When piecing little triangles, I find I am more accurate using foundation piecing. It does take extra time to remove the foundation paper and uses a little more fabric, but I think the extra effort and fabric waste is worth it to get sharp corners. I pieced together two shades of the same polka dot in the border pieces and carried that into the Square-in-a-Square corners.
Round 4: Elizabeth
She says: When I got Nancy’s round robin for the last round, there were several fabrics in the box that hadn’t been used since the middle portion, so I knew I wanted to use those for sure. The pale blue-green background fabric Nancy included also hadn’t been used much, so I thought of expanding the quilt center to make a large table runner. At the ends of the runner, I took a cue from the funky petals of Nancy’s flowers and strip-pieced scallop shapes, which reminded me of the tongue shapes on a penny rug.