2011 December | AllPeopleQuilt.com Staff Blog
 

December 2011

2 posts.

Pat Sloan – Behind the Scenes

I have such a wonderful time interviewing guests for our radio show, and sometime not all we chat about makes it onto the show! Here is another ‘Behind the Scenes’ with wonderful quilt designer Betsy Chutchian!

Betsy We all have parts of the process we ‘prefer’ more than others. What part of quilt making do you ‘Prefer’ most and why?

My favorite part is chosing the fabrics.  Once I have an inspiration, in this case a photo of an antique quilt, I LOVE the hunt for the right fabrics.  Sometimes the hunt begins with a particular piece of fabric, then I find the inspiration quilt and resume the hunt in the stash.
Here the look is soft and very old, early 1800′s.

Most of the fabrics are collections from Moda and Jo Morton for Andover…the fabric study could be called ‘Morton meets Moda’ but I threw in a Windham and a Blue Hill for good measure. The photograph is from the book, Calico and Chintz.  The type of quilt is what today would be termed a ‘blended quilt’.  Moda’s line ’Comfort’ served as the main fabric inspiration, the large scale brown fabric with rusty pink flowers.

With that piece, selecting the rest of the fabrics became really easy.  I started making nine patches and then from some leftover scraps , quickly pieced and quilted a little doll quilt.

What is your favorite item in your studio?
My favorite part is the desk-like sewing table and the wooden sewing machine bed.  My dad made both of these for me.  When I purchased a new machine a few years ago, I had to keep the same brand with the same size arm cutout in order to continue to use what he made for me.  If Pfaff ever changes the arm width, I’m in a heap of trouble.  Dad is is 92 and can’t work in the woodshop anymore.
If you could train with, or work with, or follow one person for a day.. who would it be and why?
Without hesitation, I would love to train or work with Barbara Brackman.  Even for one day, I could learn so much from her, concerning fabric history.  I own her books and  follow her blogs and love studying fabrics of the 19th Century, but reading about colors and printing styles are only good to a point. I would love to hear her say why this reproduction print, or that color, is totally inappropriate for an 1860′s quilt, for example, and then see her point to the right ones and tell me why they work.
Some fun questions for Betsy!

  • Current read –   I just finished The Help and have started 1000 White Women.  I don’t read as much as I would like.
  • Favorite movie – That is a hard choice.  My favorite is probably The Searchers  but To Kill a Mockingbird and Cold Mountainare also at the top of my list.
  • The Color you have always LOVED….. A better question might be what color do you NOT love!  Believe it or not, I love BROWN.  Brown complements everything and never competes for attention.  Besides, it is the color of chocolate, so what’s not to love?

If you have not listened to my interview with Betsy yet… CLICK HERE and listen to the Nov 28, 2011 show!

And listen EACH Monday at 4pm eastern for a new show with new guests. All shows are recorded so download the ones you missed!  See you Monday!

Your Radio Host Pat Sloan

Categories: On the Radio with Pat | Tags:
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Mystery Quilt: Block 1

Materials for Block 1 of APQ 2012 Mystery Quilt  (What is the Mystery Quilt? Click here to find out!)

1—9×22″ piece (fat eighth) each of light print, medium print, and dark print

Measurements include 1/4″ seam allowances. Sew with right sides together unless otherwise stated.

Finished block: 9″ square

 

Cut Fabrics
From light print, cut:

  • one 4-1/4″ square
  • ten 2-3/8″ squares
  • four 2″ squares

From medium print, cut:

  • four 2×3-1/2″ rectangles
  • eight 2-3/8″ squares

From dark print, cut:

  • one 4-1/4″ square
  • two 2-3/8″ squares
  • eight 2″ squares
Assemble Block
1. Use a pencil to draw a diagonal line on wrong side of light print 4-1/4″ and 2-3/8″ squares and dark print 2″ squares.

2. Place a marked light print 4-1/4″ square atop dark print 4-1/4″ square. Sew 1/4″ from each side of drawn line (Diagram 1). Cut pair apart on drawn line to make two triangle units. Press each triangle unit open, pressing seam toward darker print, to make two large triangle-squares. Each should be 3-7/8″ square including seam allowances.

3. Mark a diagonal line perpendicular to seam line on wrong side of one large triangle-square.

4. Layer marked triangle-square atop unmarked large triangle-square; each light triangle should be opposite a dark triangle (Diagram 2). Sew pair together 1/4″ from each side of drawn line. Cut pair apart on drawn line. Press each unit open to make two hourglass units. Each should be 3-1/2″ square including seam allowances. Set one hourglass unit aside for another project.

5. Using two marked light print 2-3/8″ squares and two dark print 2-3/8″ squares, repeat Step 2 to make four small A triangle-squares. Each should be 2″ square including seam allowances. In same manner, use remaining marked light print 2-3/8″ squares and medium print 2-3/8″ squares to make 16 small B triangle-squares.

6. Position a marked dark print 2″ square on one end of a medium print 2×3-1/2″ rectangle (Diagram 3; note direction of marked line). Sew on marked line, then trim, leaving 1/4″ seam allowances. Press open attached triangle. In same manner, add a second marked dark print 2″ square to remaining end of medium print rectangle to make a Flying Geese unit. The unit should be 3-1/2×2″ including seam allowances. Repeat to make four Flying Geese units total.

7. Referring to Diagram 4, sew together four small A triangle-squares, four Flying Geese units, and one hourglass unit in three horizontal rows. Press seams away from Flying Geese units. Join rows to make a block center. Press seams away from center row. The block center should be 6-1/2″ square including seam allowances.

8. Join four small B triangle-squares to make a triangle-square row. Press seams as shown in Diagram 5. Repeat to make four triangle-square rows total.

9. Referring to Diagram 6, join triangle-square rows, light print 2″ squares, and block center in three rows. Press seams away from triangle-square rows. Join rows to make a block. Press seams away from center row. The block should be 9-1/2″ square including seam allowances.